Coupling Lenses For Macro

by Johan J Ingles-Le Nobel
Last updated August 31, 2017

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A coupled reversed lens, also known as macro stacking or coupling lenses, is a great way to get to more extreme macro magnifications such as 4:1 - a nice way to do macro without a macro lens.

A coupled reversed lens, also known as macro stacking or coupling lenses: how to do macro without a macro lens

A coupled reversed lens, also known as macro lens stacking or coupling lenses. Many regular macro shooters will have lenses of these lengths already so you may not even need any other purchases other than a reversing ring to try out extreme macro. Makes for quite a bulky setup though.

Compared to the other reversed lens technique of a single reverse lens, it requires a different adapter - a coupling ring, rather than a reverse adapter, but stacking lenses like this generally gives better image quality than a single lens reversed on its own.

Coupling Ring

A macro coupling ring has male filter threads on both sides, so you can stack one lens onto another - facing each other.

The trick is to find a macro coupling ring that goes between sizes - normally they have the same size threads on each side.

If you want to couple between lenses with different threads you will also need the appropriate step-up or step-down filter adapters.

Stacked Lens Magnification Calculator

Focal length of your primary lens, the lens attached to the camera (FL1, ie 100): mm
Focal length of your secondary lens, the lens reversed onto the primary lens (FL2, ie 28): mm

Stacked (coupled), these make for a :1 macro lens

About

Image Quality, Stacked Vs. Single Reverse Lens

An obvious question to ask is which gives the better image quality: macro stacked lenses or a single reverse lens on bellows.

The answer is in fact a stacked pair: single reversed lenses can go soft in the corners because of field curvature, but in the centre there is not a noticeable difference.

Obviously the main relay lens needs to be of decent quality otherwise this can let the joined lens arrangement down, but there is compelling evidence to support the view that coupling one lens to another can make for spectacular quality for certain magnifications. On top of that, for a given magnification, coupled lenses do have a lower effective aperture than lenses on extension. The difference is significant at very low m, not so much at m > 3.

Stacked Lens Magnification

magnification formula for reversed lens

Magnification formula for reversed lens.

With a lens stacked onto another lens the formula is simple: divide the main lens mm by the reversed lens mm. In other words, a 50 reversed onto a 100 lens would give you 2:1.

For lenses reversed on their own, there is no such formula, and often the best way to find out is simply to take an image of a ruler and, knowing the size of your sensor, divide it by the size of ruler on image. Ie, if you shoot Pentax APSC but you can see only 6mm of rules across in the image with a reversed lens you know you're at about 4:1 (23.6/6).

Stopping Down

You will find that you get higher image quality by stopping down the front lens (the reversed one) and leaving the other one wide open (to act as a tube 'gathering' lens).

The best f-stop is best determined by experiment; too wide open and the image will go soft from aberrations, too far closed and it'll go soft from diffraction. There should be a sweet spot which is a compromise between the two.

If you use the non-reversed lens aperture rather than the reversed one it will let through a lot of optical aberrations because it's far away from the 'optical centre' of the combined lens. The centre of the combined lens is actually still for all intents and purposes physically the centre of the reversed lens - the non-reversed lens is just acting as a tube lens. You start getting quite nasty and strange image aberrations when you move the aperture away from the optical centre, so use the front (reversed) one for aperture alterations and just leave the other one wide open.

Vignetting

Stacking lenses for macro gives better image quality than a single lens reversed on its own

The amount of vignetting that you may or may not see when stacking lenses for extreme macro has various factors, including the focal length of and the f/stops used in both lenses. Extension tubes or bellows can help avoid vignetting but in a sense it is a false avoidance because actually you're just adding magnification so magnifying the non-vignetted part of the image circle.

If you have vignetting on your reversed lens, make sure that your lenses are wide open and the rear is focused at infinity. It maybe that your lens combo isn't fast enough and you still have vignetting, in which case try increasing the magnification (ie magnify the non-vignetted part) by using tubes, bellows etc.

Use a Macro Lens?

You maybe tempted to try using a macro lens as the rear lens (ie the longer one), but be aware that this is not neccessarily a route to success. Macro lenses tend to have the front element recessed into the body of the lens, and you really want the front element as close to the reversed lens as possible. And with macro zoom lenses as the rear lens, the front pupil might be too far back. Both of these will lead to vignetting.

Make A Lens Hood

a macro coupling ring has male filter threads on both sides

The performance of older manual lenses can be improved by making a custom hood. There are all sorts of ways to do this but I found that an old soft plastic end cap with an appropriate hole cut into it makes for a great hood. A hood increases contrast.

Protecting The Reversed Lens

Once mounted in reverse, you will see some of the mechanics of your lens that are normally not exposed. All of the pins the lens uses to talk with the camera are visible as well as the internal glass element that moves in and out when focusing.

Leaving a lens on in reverse can let dust inside your lens so I use the end cap that came with the lens as a lenscap. Cheap, fits, and works perfectly.

Comments (37)

Article: Coupled Reverse Lenses
Chris says...
It does have a manual aperture ring and it now works (when I was trying to use it yesterday I was adjusting the focus instead of the aperture ring). Does it matter where I have the aperture on the 200mm lens? Hold on I think you said it has to be on inifinity. Anyway I will have to wait until tomorrow before I can take pics of insects because it's dark now.
Stacks of thanks to you ;o)
4th April 2017 9:37am
Johan J. Ingles-le Nobel says...
awesome, I'm glad to hear that this finished well :) Enjoy your reversed lens... the first steps on a macro journey are always so wow and enjoyable!!!
4th April 2017 3:21pm
Chris says...
I took a heap of photos today but none of them were worth keeping because the depth of field is so microscopic :o(
5th April 2017 12:05pm
C.g. Ouimet says...
I recently found your site and I think I have read most of it. An excellent site. Thank you for all the knowledge you share. I'm just getting into > 1:1 macro and while I wait for lens stacking 49/58 adapter to try my EF 50 f/1.8 on my EF 85 f/1.8 and my EF 70-300 f/4-5.6, I have one question I don't see answered anywhere. Would it be correct to assume that ... 1. the reverse lens focus is set to infinity. 2. the primary/tube lens is roughly focuses. 3. the overall focus is further tuned by moving the whole camera/lens/lens on a focus rail.
13th March 2017 7:52pm
John says...
With an old Nikon 28mm F2.8 reversed onto a newly acquired manual focus Nikon 200mm F4 (to use instead of the Sigma 150mm I have been using) the "front " of the lens group is now getting very, very close to the subject. Is there a way of using that combo BUT gaining a little bit of extra working distance to the subject?
Admin:
Not really - working distance is basically the bane of our life
26th January 2017 11:16am
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